- Victus Setis, Magister of Education Studies, Northern Gnoma University
The withdrawal to the cityguard barracks had been hurried enough there’d been little time for everyone to get to know one another, but Azraea made a point of ending up next to Jericho and starting a hushed conversation.
“I have to say I was surprised to see you in the thick of things back there,” she said, “from our last interaction I would have thought you’d prefer to stay away.”
“What makes you say that?”
“While I’m certainly grateful for your aid, I thought you left the military because you couldn’t abide the killing any longer. I recall you going to great pangs to avoid it.”
Jericho patted the blue obsidian knife on his belt. The primitive weapon was special – no matter what wound the blue obsidian inflicted, it would be nonlethal. Blue obsidian blades were treasured by healers, making excellent surgical implements, but Jericho had found considerable use for it as a member of the highway guard.
“Hard to take on a frenzied mob with a single glass knife,” he said simply.
“I understand but… Are you okay?”
That clearly took Jericho by surprise. In the midst of a whirlwind of violence and fear the young woman was concerned with the older man’s psychological and moral well-being. He smiled; “Well…” he wasn’t sure what to say, because he wasn’t entirely sure what the truth would be, “It’s complicated.”
“Everything is right now, isn’t it? But I’m a fairly good listener.”
Jericho slowed his pace so that they fell towards the back of the group, giving them some measure of privacy, “The truth is… I’m not tired of killing.”
Azraea’s face betrayed a hint of surprise, but she didn’t say anything judgmental.
“It’s not that I like killing …” Jericho struggled to explain, “But I’m very good at fighting…”
“And everybody likes to do what they’re good at.”
“I’m not a sadist,” Jericho said, “I don’t like hurting people, let alone killing them, but… when it comes to combat… I don’t mind it either. And if it’s in service of a cause, protecting people…”
“I think that’s Kaira’s nature, as well,” Azraea said, “Would you think badly of me if I said it worries me somewhat?”
“Me? Think badly of you?” Jericho was surprised the woman was in the least bit concerned with his opinion.
“I feel it makes me something of a hypocrite,” Azraea confided in the older man, “I have blood on my hands as well, and even before that… I’ve realized how privileged I was to have the protection of those willing to do what I would have once condemned.”
“I don’t think worrying about a friend makes you a hypocrite,” Jericho said, “When it comes to killing people, there’s a line… Some people think you cross that line when you take a life – for any reason – but I don’t. I’ve seen a lot of men kill. And women, of course,” he added. “And I’ve seen men become so… numb to it, that they would resort to it whenever it was simply the most expedient way to get what they want. I’ve also seen men kill out of disgust for someone else – pure hatred – and maybe worst of all, I’ve seen men kill for the pleasure of watching someone die. I’d certainly like to think that I don’t fall into any of those categories.”
“I don’t think you do,” Azraea said, “either of you.”
“But you’re worried because you think it’s a slippery slope,” Jericho said.
“Yes, maybe. For both of us, actually.”
“Maybe that’s true… maybe not,” Jericho ruminated, “Most of the wickedness men do is a matter of circumstance, though. We swing between good and bad from moment to moment. If you say something you regret, something cruel to someone you love, is there no coming back from that?”
“Are harsh words really comparable to a plunging knife into someone’s back?”
Jericho grunted in a sort of half laugh, “I’ve been around a long time…”
“I’d gotten that impression,” Azraea said. In their first encounter, it’d been clear that Jericho wasn’t mortal, and she’d guessed it had something to do with the jeweled ouroboros around his neck. His age was impossible to guess, though – he might be a man in his mid-forties, or he might be older than the oldest of Kaira’s people.
“... And with age comes a lot of regrets. When it comes to killing, there have been moments where I have crossed that line. I’ve killed someone because it was easier than not killing them, or I’ve killed someone because I thought they deserved to die. I regret those moments, and I dwell on them… frequently. But as terrible as it may sound, there are still other things I regret more. Killing an enemy prisoner because he was too much trouble to drag back across the line of battle – I feel bad about that, yes… but there are lesser things – unkind words, moments of apathy – that I regret more.”
“Why?” Azraea asked.
Jericho laughed, not patronizingly, but rather with a sort of dark acknowledgement of the world’s absurdity, “Whatever you might tell yourself, you still care more about your friends, families, and lovers, than you do about some foreign fucker that just tried to kill you. Doesn’t matter if you’re a civilian, a soldier, or a king,” Jericho said, “You’ll always care more about some people than others.”
Azraea frowned as she recalled her argument with Kaira over the deaths of their former classmates.
“Either way,” Jericho sighed, “all the things I regret most were things I did at moments when I felt my life had no meaning – and I’ve seen that homicidal hopelessness in others, as well. So if you’re worried about that, just focus on your purpose, on why you’re doing what you’re doing. That’s the difference between a murderer and a soldier – a soldier fights because he believes in something.”
“And fanatics?”
“Oh, those are the guys fighting for things you don’t believe in.”
Azraea smiled, “So, basically, it’s complicated.”
“It’s complicated,” Jericho nodded, “Change of subject…”
“Yes?”
“I’ve been impressed by your initiative, your level-headedness, and frankly your charisma. You’re very good at inspiring people to act, and keeping them from panic. So I’m wondering, would you be open to advice from an old man?”
“You don’t make it far in academia if you aren’t,” Azraea laughed.
“Right, of course. So… the way you were able to rally those people to fight was impressive, but this situation has quickly evolved from civil unrest into a paramilitary engagement, and leading an army isn’t the same as leading a mob.”
“Well, then I imagine it’s fortunate that the task hasn’t fallen to me,” Azraea laughed faintly.
“Are you sure about that?” Jericho asked, “I’m already responsible for my highway guard, Schroeder’s got his city guard, and Marcus… well he’s got his own army to manage. Three people with lots of responsibility, and two big egos amongst them, trying to decide what to do next, trying to decide who should decide.”
Azraea thought back to her conversation with Hylas’s spirit, and his final words to her. It was intensely strange to be having this conversation, but this was the path she was on, wasn’t it? She’d set out to get rid of the dragon, and that meant taking responsibility for everything before and after.
“Alright,” Azraea took a breath; if walking down the darkened streets wasn’t disorienting enough, the weight of the discussion was in itself dizzying. “I’m listening.”
“Leading a small group is very different from leading a large one,” Jericho leapt into it directly, “which is important to understand, because in a military context, you spend more time leading small groups than large ones.”
“How so?”
“The rigid hierarchy of a fighting force is designed to make it that way,” Jericho said, “occasionally there’re speeches to rally the troops, but most of the time you’re interacting with the officers above, around, and immediately beneath you. If you’re the ranking officer, you receive advice from a handful of men, make a judgment, and then pass that judgment back to them to pass on down the line, handling the more specific details themselves. Follow?”
“I understand; I’m guessing that handling the officers below a person can be something of a chore?”
“Yes,” Jericho said simply, “There’ll always be a clash of egos and personalities, of course, but in all fairness, each man you work with will have a duty not only to follow your orders, but to advocate for his own men. A good officer will, anyway.”
“A good leader should always be mindful of the sort of risks she’s doling out,” Azraea said, “I have to wonder, though, what makes you think this group would listen to me.”
“Speaking bluntly,” Jericho counted off on his fingertips, “Schroeder doesn’t want to lead – he wants to retire. If he thinks someone else is competent to relieve him of the responsibility, he’ll hand it over eagerly. I know Marcus will never want to lead anyone beyond his own family and their employees and – frankly – he’s been looking at you like... I don’t know what that look is.”
“Ah, that wasn’t my imagination, then?”
“No, and I have no idea if that’s paternal affection, romantic interest, or just the shrewd gleam of opportunism and amusement. Past a certain age, people get hard to read.”
“Should I ask what your interest is?”
Jericho laughed as if it were a joke, “I think we’ve all had enough of old people running things. We need leaders who have more to look forward to than to look back on.”
“Most people would say someone my age is naïve and inexperienced.”
“Compared to Marcus, everyone’s naïve and inexperienced. And Schroeder’s got a daughter not too much younger than you; for better or worse, I’m sure that gives him a different perception of you. But… and this is important… even if we all had complete confidence in your abilities, none of us would make it easy for you to lead.”
“Because each one of you have your own personal concerns to account for,” Azraea nodded, “Schroeder’s cityguardsmen, Marcus’s elves, your highway guards… and each of you likely has a very different way of looking at the same problem.”
“That’s all I had to say. Well,” he smiled, “That and, ‘good luck.’”
I thought this would be a good point to post some thoughts on The Story so Far(tm), primarily because I've caught up with current material and am totally not bored. *sips coffee*
ReplyDeleteDisclaimer: I'm no professional author nor any sort of professional literature critic, so take the comments for what they are. Or don't take them at all, up to you, really ^^;
[Wall of Text -Part I]
What I thought could have been better:
1. There's the occasional passage that feels very info-dumpish or that provides background information of questionable interest - also compared to my interest in keeping up a nice pace. What with the "academic background" of the story it might have been fun to have those things as footnotes (with citations). It's not crazy exotic in fantasy novels anyway – Pratchett's not the only one who did it – but it'd fit with the theme either way. Could be a bit of a space for background information, historical anecdotes and so on …
2. Talking about pacing, and maybe tension, the early structure of the novel I have to say Did Not Work At All for me. It starts in the fortress. That makes sense, but then we get a bit too much "now let's dump all the magic info here" via Ochsner. Then we have that "Azraea takes charge and Kaira plays loyal bodyguard" scene (did that only remind me of some sort of SM roleplay?) … and they take off into the city. Where they confront the friggin' Dragon, aka the Big Bad Evil.
And then we sent Kaira back? So now everyone's separated anyway? And we get that subplot about Nowheresville and it's local Worsethanhitler Bad Guy? It's a bit hard to care about that sort of thing when we've just stood facing a dragon. No matter how much the Bad Guy is escalated from "steals a bunch of horses and is generally unpleasant" to "human trafficking magical cannibal monsters".
Tentatively, what would have maybe made more sense to me (but these things are difficult to tell without seeing how they actually play out), if we started similarly, but then Azraea goes with Kaira to Nowheresville, trying to provoke the dragon or maybe just rescuing people because they are nice like that. They do their Stuff there, then return to the fortress. So now we meet Ochsner again and she can report on progress (so we have some magic info dump at the start and some after having a bit of action and then some new information). And then Azraea and Kaira go to the city. Or maybe still just Az, for reasons not clear to me.
3. Character development? Where? I kind of miss it. Arguably much of that was nicely done in Book 1 and now we're apparently kinda at the point where the protagonists have figured things out, by and large. And it'd be annoying if everyone still waffled around over the same issues. But it makes all the good guys a bit static. And a bit too good, too, especially compared to …
4. Stupid enemies. All of the bad guys come across as stupid idiots at crucial moments. Worst scene is probably when Trakaduhl goes forward with a scheme so stupid he should not only get himself but probably everyone around him killed, but then the Bad Guy is of course an arrogant twat – and the orc wears plot armor thicker than a tank – so he gets away with it.
Similarly a flying monster things goes down into a mine. Or The Dragon letting Az get to her, or her distractions working, or ...
Now, obviously, people are stupid and do stupid things. Doing that here or there in fiction is just reasonable. But ultimately that alone doesn't make for a very satisfying read. Much better to beat satisfyingly cunning opponents.
[Wall of Text – Part II]
Delete5. Stupid enemies kinda goes hand in hand with the good guys being surprisingly trope-ish (and with guys here I mean specifically the guys). Trakaduhl turned form a "somewhat different orc" to the standard fantasy male hero, urk. Then we have Marcus, the "dashing, honourable rogue", barf. Jericho, the wise/immortal/veteran, along with Schroeder, "the one honourable guard in a corrupt city". Vinny's OK, if a bit too perfect, too (but at least he messed up at the start, so that's something). I mean, some are worse than others, but it's a bit … I suppose I expected differently from this series in particular?
Also; again, the plot armour. Not just Trakadull but also for example Schroeder just jumping into a bunch of armed people and surviving it. Yeah, right. No.
6. Hero-centric plot. Err. Whatever this is called. A lot of this feels like nothing would happen with Az & Co being around. Like, we have that centuries old elf in the assembly who no doubt realizes what's going on but she's just holding a bit of a speech and is otherwise doing precisely nothing at all? And the dwarfs don't care, and the masses are stupid anyway, and nobody else can be bothered to do anything much … villagers are merrily oppressed, and they go along with that, too …
In rides the hero, suddenly everything moves. Dragon wants to become Queen. Rebellions happen. Villagers take up arms.
I'm exaggerating a bit and it's clear also other people do things but at times it felt a bit like this.
What I liked:
1. I really like the world-building overall. Maybe sometimes I wished I could have instead just gone on reading to the next bit of action, but the world feels real, with actual history. It's not some isolated thing where just the story that we see here happens. There's stuff before and stuff afterwards and stuff elsewhere.
2. The plot in general. I mean, I might be complaining about how it's playing out, but a heroine going "I'll take charge because everybody else clearly is rubbish at it!" is beyond rare. And the Dragon taking over the Kingdom simultaneously is fun to watch. And you just know there's going to be some sort of climatic showdown (of course, maybe there won't be, but it's how it feels ...).
3. Your style, or prose, or what'cha wanna call it. It just reads smoothly. It's not choppy, it's not crazy "purple" for the sake of appearing fancy; it gets the job done and I can just relax and read and enjoy it. I like it; I think you've hit a good spot there.
4. The tone. It's serious stuff with serious consequences and disgusting topics. But there's also room for quirky humour, idiosyncrasies of the setting or the characters. Basically, despite everything it's not a gloomy doom dystopian novel thing (not that I have anything against those but particularly for LGBT characters they are kinda common).
[/Wall]
Anyway, that's all I wanted to say. Keep up the good work :D
Wow! It's honestly really flattering that someone is invested enough in the story to write that much!
DeleteI'm at a conference right now, so I can't say as much as I'd like, but a few quick things:
** I agree with 99% of your observations. **
Rise of Azraea Book II is the third novel I've finished. I've reached the level of proficiency where I can see shortcomings in my work I would have missed at one point, but not yet attained the proficiency to *wholly* fix those shortcomings.
To further complicate things, Book II started life as the last third of Book I. I split it off because book I was too long, and the ending felt rushed. Unfortunately that caused some problems in the long run.
The info-dump parts are a great example of both problems. I was excited to expand the separated content to make it less rushed, and to feel more real. I built up a pretty detailed political landscape and an arch for the transition. Per my wife pointing out the same problem, I expanded many summarized info dumps into actual scenes. Despite all of that, though, there were still key events that I couldn't fit the main characters into, or work into existing scenes as background details. Where I ultimately failed there was in making good judgments about what of the remaining info was essential, and what wasn't. Lack of character development is another consequence of splitting and stretching the third act of the first book.
Stupid villains. So, originally Syliva was a bit slicker, but she got dumbed down a bit with time, for two reasons: (1) I stayed too faithful to the individual that inspired her, who is not as sharp as s/he thinks. (2) After the 2016 election, it became oddly difficult to write a greedy demagogue - a sentiment some of my favorite authors shared on Twitter at the time. In one revision Syliva became an outright parody, and the final draft represents something of an averaging of the character's iterations. Even at her sharpest, though, Syliva was always intended to be her own worst enemy for thematic/symbolic reasons.
Two-dimensional men. This was actually a deliberate decision in an early draft for three reasons: (1) I wanted to keep the focus on the female characters, (2) I wanted to poke fun of how women are usually treated in adventure fiction (two dimensional badass arm candy), (3) I wanted some campy/tropish heroics to maintain ties to the genre and to break up the monotony of people sucking. Expanding the book increased their 'screen time' though, and I failed to add enough depth to match the time the reader spent with them.
If I can make good on my plans for Book III, the dynamic characters will return. Also, the villain for Book III is going to be a change up from Syliva - more personal, more competent. Dealing with him (and the consequences of his actions) is going to involve some pretty difficult choices.
About out of time, so one last thing: mentioning the footnotes is really funny, because Book I originally did have them, for exactly the reason you pointed out. I thought they were funny and immersive, but I got complaints from people reading it in epub.
Another book I've written - a fantasy novel set in 1773 Boston - has the same gimmick, partly because I wanted to cite some real world sources, and I've held off on epubbing it partly b/c I don't want to give up all those notes.
Anyway, hopefully that look under the hood was kind of interesting. Thanks again for sticking with the book this far!
Best,
James
Oh, should add: I'm a social psychologist (ABD) with a background in romantic relationships and sexuality.
DeleteSo if you thought there was a little Dom-Sub roleplay thing between Azraea and Kaira, you're probably not wrong.
Thanks for the reply; that was interesting ;) It's rare to know much about author's decisions and how they view their own work.
DeleteHadn't thought about ebook readers; depending on how exactly the links are set and which software you use that can be really annoying (as in: you lose the place you read every time you read a footnote). Although these days most should handle things properly.
Maybe.
And, yeah, that explains the male characters. I guess usually I might not even have noticed ... much, but expectations here just clashed a bit with what happened (so far) in the book. Or maybe it's subconsciously my Servant of the Empire trauma speaking and how a certain male character just ruined the novel, heh ...
Anyways. Looking forward to reading the rest and maybe also some future novels, should they happen ;)
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